In my high school video class a common question was, "Why do movies look so different then TV?" Usually the answer included stuff about the different frame rates, or aspect ratios, leaving out the one of the most unsung tasks, color grading. In my opinion, the major difference between the quality of movies and TV is color.
Ever since I started using non linear editing systems such as Final Cut Pro, Adobe Premiere, or Avid, I've gone way overboard in messing around with color correction filters. I had great fun, but I wasn't very good at it. I basically knew that I just wanted my video to look different, never mind what that different was. Often people flesh tones would glow radio active red, or the sky would turn green - hey I was trying.
Eventually, I came to understand the 3-way color corrector filter in Final Cut Pro and my color effects started looking better.
Recently, Ashley and I upgraded to Final Cut Pro 7 in preparation for an upcoming project. In case you didn't read the title of this entry, Final Cut Studio now comes with Color. Color is professional color grading program which works seamlessly with Final Cut Pro. Color is not a filter, it's a full blown high end color grading software with stupidly awesome flexibility. Here are a few test shots I worked on.
Back when I was in college I was required to have my thesis film be professionally
color corrected. For about $2000.00, my group and I sat in and watched
as our colorist moved around the $900,000.00 suite to make our movie look cool (yea we asked how
much the equipment cost). For only $1000.00 (or $300 for an upgrade)
and some learning time, you can do yourself what we once paid so much for someone else to do.
Do you need it? If you only need to tweak color balance issues, maybe not. Like any new software, it takes effort to learn, and to start out I was really frustrated. I've spent several days watching online tutorials and today was the first I that really dove in and was happy with what I got.
For me the Final Cut Pro 3-way color corrector is a hard filter to let go of. However, if you dare move on, what's waiting for you inside of color is the freedom to make your shots look not just better but frighteningly good. Here are some more of my test shots:
Not too happy with that washed out sky, why not change it to a bright blue? or fiery red? or maybe purple.... there's nothing stopping you!
For some reason the interface doesn't match anything else within Final Cut Studio. Personally I think it was an effort to make the program look more professional, because for some reason in this business, the more complex the program is, the more people are impressed by it and thus trust it. I think Apple is tired of people knocking on Final Cut's friendly looking interface so they sold out and put out a scary looking one.
Another strange tid-bit about the interface is that there are no sliders. When you want to change the values of something, you either have to enter it numerically, or hover the mouse over the tool and use the scroll wheel. At first I was really annoyed by this, but I've gotten into it. It kinda feels like your handling a physical knob or dial which makes it okay.
I have this short little two minute test project which I used to test Color. Upon finishing I had so much fun, that I completely started coloring it over again. If you're familiar with color correction, and are patient enough to give it a try, Color could really be a good move.
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